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The Glow Pt. 2 - The Microphones - ;The Glow; Pt. 2 (CD, Album)

Posted on | By Kehn | 8 comments
Category: Alternative

8 comments on The Glow Pt. 2 - The Microphones - ;The Glow; Pt. 2 (CD, Album)

  1. "The Glow pt. 2" was originally released in September of as KLP by K Records of Olympia, Washington. Re-released as ELV on July 9th, by P.W. Elverum & Sun of Anacortes, Wash. Available in a deluxe physical form here: neyverheysamounvetalpwerwietropomtrat.xyzinfo
  2. Sep 25,  · This is the second song to ’s The Glow Pt. 2. Here Phil re-visits “ The Glow ”, the minute centerpiece of The Microphones ‘ previous album, It Was Hot, We Stayed in the Water. “The Glow Pt.
  3. The Glow Pt. 2 is the third studio album by American indie rock band The Microphones, released on September 25th, through K Records. It is considered by many to be The Microphones' best work. "The Glow" was the title of the fourth track on the band's previous album It Genre: Avant-folk, lo-fi, indie folk, noise rock, ambient.
  4. Apr 04,  · The Glow Pt. 2, which remains his crowning achievement, is being reissued by K just as Elvrum says "it threatened to go out of print." Seven years of imitation have done nothing to dull its impact /
  5. Sep 10,  · The Glow Pt. 2, the follow-up to last year's gorgeous brainmelt It Was Hot, We Stayed In the Water, captures the sea, the sky, and the mountains in a sonic panorama that seems to live without /
  6. Mar 12,  · But The Glow Pt 2 is more than just a dendrophiliacs' soundtrack – it manages to accomplish a feat artists have grappled with for centuries: charting the .
  7. Under The Microphones Elverum released a lot of albums –though, despite his plethora of releases, it was ′s The Glow Pt. 2 that managed to become Elverum’s finest achievement. The release is a sixty-six minute lo-fi indie-rock/folk epic that has been praised highly, talked about frequently for many years and has made countless Best of /5.
  8. The Microphones is the name of a project that Anacortes, WA's Phil Elverum has headed since the late 90s. Its sound is best described as lo-fi "fuzz folk," ranging from drum-crashing, bass-thrashing sonic freakouts, strummy classical guitar love songs, angelic vocal choirs, and almost-whispered vocals over harmoniums and bell kits.

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